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空军特殊飞行队号称“黑色猎鹰”的飞行员泰勋在空中表演中使用了被明令禁止的飞行技术“无引擎减速”，结果把现场搞得一团糟，其野马脱缰般的桀骜性格也令对内领导深感头痛，索性借此将他“下放”到“21战斗飞行队”，由大曙队长统一领导。在队内，泰勋结识了同期生侑珍和后辈锡炫，并慢慢适应了新环境的生活。然而，一山不容二虎，泰勋和对内号称“狙击之神”的哲熙总是起争执，终于两人为尊严名誉而战的F15K飞行决战中，泰勋首次遭遇失败。随后，他与机械队最出色的机械师世英组成一队，筹谋参加“Boramae空中射击比赛”，借此恢复自尊心。某天，一架不明敌机突袭首尔上空，毫无准备的21战斗飞行队与其展开了殊死搏斗，虽然损失惨重，但到底控制住了局面。然而，风波并未就此停止。整个半岛陷入了更大的阴谋漩涡。21战斗飞行队最后下令执行特别作战计划——R2B：返回基地。7分钟的决战，在此一举……

A revelatory portrait of the trailblazing artist Emily Kam Kngwarray, from the Utopia community in the NT, whose work reshaped the international contemporary art world. 　　One of Australia’s most celebrated figures, Kngwarray is the highest-selling woman artist in national history. Known for her strength, wit and radiant presence, the Anmatyerr Elder found global fame in the late ’80s with large-scale paintings deeply rooted in her connection to Country, culture and community. With collectors including actor Steve Martin, her work fuelled worldwide interest in Indigenous Australian art. Director Danielle MacLean (We Are Still Here, SFF 2022) follows the preparations for the National Gallery of Australia’s major 2023 Kngwarray retrospective, while rare archival materials let the artist, who passed away in 1996, speak in her own words.

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A fascinating portrait of the composer, engineer and architect Iannis Xenakis, a leader of the avant-garde and a pioneer of sound and light shows, who turned contemporary music upside down by bringing art and mathematics together.

An immersive cinematic poem of a 7 year journey of return, “Kitâb al-Isfâr: Book of the Journey” weaves together stories of near-death and mystical experience in Andalucia. According to the director: “When I was 19 I set out, hoping I could learn the meaning of life by ‘experiencing everything’. I bought a car for 20 marks in a cafe in Ulm. I spray painted it yellow and green and drove it from Holland to Romania to Spain, sleeping in the back seat in a red blanket. Driving down to Málaga, at the crest of the mountains, the brakes went out. As the car sped down the mountain then crashed, I lost consciousness, followed by three days and nights of visions. What did I see, what did I understand? The Shaykh al-Akbar, Sufi mystic and philosopher Ibn ‘Arabî , writes that the journey only has true meaning if it brings a new beginning. In traveling, the heart becomes the goal of the journey”.

An immersive cinematic poem of a 7 year journey of return, “Kitâb al-Isfâr: Book of the Journey” weaves together stories of near-death and mystical experience in Andalucia. According to the director: “When I was 19 I set out, hoping I could learn the meaning of life by ‘experiencing everything’. I bought a car for 20 marks in a cafe in Ulm. I spray painted it yellow and green and drove it from Holland to Romania to Spain, sleeping in the back seat in a red blanket. Driving down to Málaga, at the crest of the mountains, the brakes went out. As the car sped down the mountain then crashed, I lost consciousness, followed by three days and nights of visions. What did I see, what did I understand? The Shaykh al-Akbar, Sufi mystic and philosopher Ibn ‘Arabî , writes that the journey only has true meaning if it brings a new beginning. In traveling, the heart becomes the goal of the journey”.

In a surreal meeting filled with countless individuals from a variety of backgrounds, nine people recount how sex and sexuality have been used to exert control over their lives. Regardless of race, sexual orientation, nationality, social class, religion, or gender, all are equally shattered and all are equally victims. Those that recount their experiences show that the power / sex dynamic can come in many forms. Whether the power is taken away by physical or psychological means, and regardless of whether it is perpetrated by an individual, institution, or society, the results are equally devastating.

In a surreal meeting filled with countless individuals from a variety of backgrounds, nine people recount how sex and sexuality have been used to exert control over their lives. Regardless of race, sexual orientation, nationality, social class, religion, or gender, all are equally shattered and all are equally victims. Those that recount their experiences show that the power / sex dynamic can come in many forms. Whether the power is taken away by physical or psychological means, and regardless of whether it is perpetrated by an individual, institution, or society, the results are equally devastating.